The Man Who Bought A Dingbat
Job #
F-831
Pages
5
Type
art
Credits
Bill Everett pencils and inks unsigned
Bill Everett letters attributed
Contributors:
the stikman: Creator Credit
Jim Vadeboncoeur Jr.: Creator Credit
the stikman: Story Scans (5)
Notes: Another example of Everett's combining cartooney elements with "realistic" textures and Chiaroscuro techniques.
- the stikman
The Journey!
Job #
B-213
Pages
2
Type
text
Credits
Credits not yet documented
Five Fingers
Job #
F-461
Pages
5
Type
art
Credits
Paul Hodge pencils and inks signed
Contributors:
Jim Vadeboncoeur Jr.: Creator Credit
The Rookie!
Job #
F-465
Pages
4
Type
art
Credits
Werner Roth pencils and inks unsigned
Contributors:
Ger Apeldoorn: Creator Credit
John Kaminski: Creator Credit
Jim Vadeboncoeur Jr.: Creator Credit
Notes: In this story, a young man practices to try-out as a baseball pitcher. He trains himself until he can throw a ball through a tree, but then decides not to risk hurting the catcher and walks away. A strangely downbeat story, that is even stranger, because in some of the panels where he throws the ball (or a rock, as in the splash page) the projectile disappears behind the next panel in a very unrealistic looking way. It's probably intentional, but the way it is done -- as if the panel is pasted over the existing drawing of the ball -- makes it look as if something was changed in the story.
Farewell-Moon
Job #
F-390
Pages
4
Type
art
Credits
Howie Post pencils and inks signed (Signed on page 2)
Contributors:
Jim Vadeboncoeur Jr.: Creator Credit
While Death Waits
Job #
F-498
Pages
5
Type
art
Credits
Stan Lee script attributed
Gene Colan pencils and inks signed
Contributors:
Ger Apeldoorn: Creator Credit
Notes: Mine Workers.